Saturday, August 25, 2012

Will The Next Big Cuisine Be in Poland? Rising Michelin Star - Atelier Amaro, Warsaw, Poland.

In his interview given to ABC NightLine in 2010 – ReneRedzepi from the Danish restaurant NOMA told:  “I do not want to preach anything, but probably the next big cuisine will be in Poland or wherever, you know, and most people there laugh a little bit when you say Poland. But 10 years ago, people would laugh if somebody said Denmark”. And I am of the opinion, since at least few years, that Polish (or Slavic) cuisine and its culinary traditions will be trendy in the culinary world within a few years.

More than two years ago, exactly in May 2010 I mentioned to you the name of the Polish chef who will probably gain a first Michelin star for Polish restaurant – Wojciech Modest Amaro.

Wojciech Modest Amaro is one of the most renowned Polish chefs, but he is not very well known to the general public and he does not appear often on TV (on the contrary, quite rarely actually). He is also far away from a certain circle of people who build their celebrity thanks to marriages with powerful private TV stations like, for example, Magda Gessler. The latter, who is not at all a chef, is the owner of several restaurants and, due to her overexposure, is recognized by the general public as the most renowned chef in Poland…

The Polish dream to obtain a first Michelin star in our country probably will come true this year or the next one. In 2011 Amaro opened his restaurant in Warszawa and already, only after a few months of activity, received a "Michelin Rising Star” (the only one in Poland so far, unfortunately).  If he continues to develop, we will have the first Michelin star restaurant in Poland – more than 20 years after the collapse of communism. As far as I know, preparation for the opening of the restaurant lasted for over one year.

I visited the restaurant at the end of May, together with my father (we celebrated his birthday and my name day).

Atelier Amaro is located in Warszawa, in the Agrykola park, on the way from a coffee shop “Na rozdrożu” to the Ujazdowski Castle.

It has been established in a small, one floor building. It is hard to believe, as my dad says (and fathers always have to be right) that this building is an ex public toilet. Such a place, meaning the public toilet converted into a restaurant, must be metaphorically and literally speaking – an exceptional place.

In Atelier Amaro you will not find a regular restaurant menu, which, in Poland, is often written with an infantile and pretentious language. Instead one will find a tasting menu. The dishes served there are called “moments”. Amaro assures that those “moments” change every day. This is something I cannot confirm since I ate there only once so far. One may dislike this type of menu and food. One has the right not to like how the food is presented in Amaro’s restaurant. However, one must admit that nearly every such moment is a tiny masterpiece having its three leitmotivs.

Atelier is not a big restaurant: just around 10 tables may only accommodate between 40 to 50 people. The interior, in neutral colors, is rather simple and has an unconstrained elegance in Scandinavian style design. In place of regular wooden chairs, soft and comfortable armchairs. In place of common fake and kitschy paintings (often met in Polish restaurants) – modest simplicity for the interior design. We sat down with my Dad at a table by the window, through which we could admire the view over the murmuring, fresh, spring verdure of Agrykola. We felt a little bit like in the middle of a forest.

We chose the tasting menu entitled “8 moments” (8 mini dishes). The sommelier suggested to order (instead of wine) a selection of exceptional, outstanding Polish vodkas and hard liquors. Some of them, as we were told, are even made especially for Amaro’s restaurant. This choice was not very good, in my opinion. Not because the alcohols were not good (on the contrary they were of top quality) but just because, despite the fact that I am Polish, I am not used to drinking strong alcohols with food. Those liquors and vodkas were delicious and extraordinary, but one should remember that they are strong alcohols. Once they are mixed with the creative and light food with molecular touches, they unfortunately do not create a perfect duet. On the other hand, we had the impression that some of them were too sweet.  Not to mention that the tasting of seven or eight strong vodkas probably will not do anything well to your stomach.  For Amaro’s cuisine is poor in grease and carbohydrates, meaning two basic ingredients, in which Polish liquors and vodkas love to swim in.  So, I am of the opinion, and my father agrees with me, that a restaurant serving such posh and delicate dishes should definitely offer a selection of great wines even if it was breaking the rule that everything served at Atelier should be Polish (which is not entirely true, as you will see below).

Firstly we were served three tiny appetizers. The first one (I am sorry, I did not take any picture of it) was mint ice cream in the shape of lollipops made in liquid nitrogen. The second one was a light and airy celeriac spuma served with a crispy rhubarb stick coated with sugar. The third one was a delicate foie gras parfait accompanied by a flower of acacia in tempura. That was an interesting experience although I had the impression that the tempura batter was slightly too heavy. But maybe my palate was heavy on that day, who knows.  The appetizers were accompanied by liquors made by the renowned Mr. Karol Majewski from Łomianki, an outstanding producer of extraordinary, traditional alcohols. The one that we tried was made from pine sprouts. It had a strong pine aftertaste; however in our opinion it was too sweet, therefore the bitter-acrid pine aroma was over shaded. The three tiny appetizers were also accompanied by little baskets of brilliant bread slices and rolls, including Amaro’s already famous bread made with burnt organic hay. The latter was very Polish in taste, meaning that the aroma resembled the smell of grasses burnt in Polish fields in the countryside.  

Unfortunately, the quality of the butter served to us could not even compare to the quality of bread. I love butter and I am a butter expert as my cuisine is mostly based on butter.  Unfortunately the taste and the quality of the butter that was served at Atelier Amaro did not vary from the taste and quality of any butter that one can buy from a grocery store around the corner (and maybe even was such).  This was a little disappointment for us, however in the light of great bread and delicious bread rolls it was an element that was not essential (although, you know – freshly made farmers butter may be really stunning in taste).

The service in Atelier Amaro is fully professional. Quick, amiable but not insolent. Both our sommelier and waiter were answering our numerous questions pertaining to the alcohols and the dishes served, including the techniques used for their preparation, thoroughly and profoundly.  No single question was ignored. The unquestionable great moment of our dinner was our conversation with chef Wojciech Amaro who suddenly appeared at our table, sat down and had a chat with us for around ten minutes.

First moment
Asparagus / pine / bursztyn (amber)*

The first tasting dish that was served to us was a fresh, spring asparagus salad comprising of crispy wild asparagus, asparagus gel, asparagus spuma and asparagus-pine granite. Everything was accompanied by mini-blots of mayonnaise. The vegetables were crispy and the dish was perfectly composed with simplicity. Never before in my life have I tried wild asparagus and I probably will not eat them again in a near future, if Mr. Amaro does not disclose his secret about where to collect them. The aroma of pine was also well present, but not insolent.
On the contrary, the third motive, the amber “bursztyn” touch was absent. (“bursztyn” (literally meaning “amber”) is a Polish aged (6, 8 and 12 months) hard cheese made from cow milk).

Second moment
Botwinka (red chard - young beets) / verbena / St. Jacques

Before the second dish from the tasting menu was served to us, the sommelier poured the refined, earthy-like and strong potato vodka Vestal Kaszebe 2009. As far as I remember, this vodka was manufactured by PolmosSiedlce from potatoes planted in the Kashubia region in the north of Poland. Vestel Kashebe vodka has been acknowledged as one of the Worlds’ best vodkas (according to the vodka classification being the equivalent of Parker’s classification for wines and got the maximum points for strong alcohols).  The vodka was produced in limited quantities (according to what I found out on the web, 5 thousand bottles are produced each year).

The leitmotivs of the second moment of feast were young beets and St. Jacques. This dish was a kind of soup. Its texture resembled thick cream. It was made out of young beets and verbena, accompanied by one perfectly fried St. Jacques. The whole dish was decorated with a light horseradish-yoghurt spuma and blooming flowers of arugula. I can summarize that the taste of arugula flowers is the quintessence of the peppery taste of this weed. However, the most explicit taste was…strawberries. I asked the waiter whether I was right and he actually confirmed that strawberries were used in the preparation of the soup. The only issue I can complain about is that strawberries over dominated the beets to the extent that only the color of the soup reminded me that it was made out of beets. All in all the composition of the dish was delicious.

Third moment
Sweet bread / topinambour / cep

Before the third moment was served to us, we tasted a liquor called “four seasons”, composed of alcohol, of course, lemon and, as I was assured by our sommelier, the only 3.8% fat milk in Poland. Have you ever heard about such milk? I have not.

The main ingredient of the third moment was one of my favorite: veal sweetbreads. Do you like them? I simply love them. Because sweetbreads are extremely difficult to buy in Poland (and, on the other hand, they are awfully expensive in France) I never think twice to order them whenever I can find them in a restaurant.  Those sweetbreads served in Atelier Amaro were accompanied by a forgotten (at least by European culinary culture) and ancient vegetable called topinambour (Jerusalem artichoke). This topinambour was served in several presentations such as: a delicate purée, a panna cotta and a tiny soufflé.  The pair topinambour/sweetbreads was accompanied by a cep tartar, which had a slight acid aftertaste, which was presented over an edible soil. Here, at Atelier Amaro the soil was made from forest mushrooms. Unfortunately, as it was served in such a miniscule amount, one could barely notice the taste of the mushrooms. However, the sweetbreads were extraordinary and delicate, so the whole dish was perfectly balanced.

Once the last bite swallowed, our skilful sommelier poured two small glasses of liquor made from chaenomeles (wild quince) which was made upon a special order of Atelier.

Fourth moment
Trout / chives / rhubarb 

I remember that the fourth moment had a good reason to be cold: it was a trout and green strawberries tartar topped with thin slices of trout. The fish itself was tasty and the common wood sorrel leaves that accompanied it had a surprising flavor. On the other hand, I still question the benefit of the green (meaning not ripe) strawberries addition. This cold (in the energetic sense) dish was supplemented by savory chive ice cream, flowers of starflower and chive flowers.
At this point of the tasting, and after sipping so many strong liquors, I could feel a bit tipsy. Well, I was lucky that I could have some more bread with hay ash and drink mineral water to become sober again! Nevertheless, I could not sense the rhubarb tone in that dish.

Fifth moment
Foie gras / Strawberry / Juniper berry

This dish, non humanitarian in a certain sense, is, again what I like. I love, from time to time, to delight my palate with some tasty, yummy foie gras. I have heard that, supposedly, somewhere in the Pyrenées Mountains lives a Spanish guy who feeds up his geese in the open air. Those geese are fed with natural methods, meaning that they eat what they find outside – acorns or stuff like that. I also have heard that a renowned Michelin Star French chef criticized the Spanish foie gras. His opinion even was that the latter was a profanation of the French one and that it did not have much to do with the authentic French foie gras.  At the same time he was making faces like chef Gordon Ramsay does, in a TV show that I will not mention here.

When I eat foie gras, I like to break its taste with some sweet preserves, either onion, either figs, cranberries or even Polish berries. This foie gras that I had in Atelier Amaro was perfectly fried. It was delicious. It was covered with a sweet spruce syrup glaze. That was an interesting flavor, but I had the impression that the glaze had not been applied evenly. As a result, some bites of foie gras were dominated by the syrup, which on the contrary you could not taste at all in other bites. As underlined by the waiter, this foie gras was accompanied by strawberry chutney. Excuse me, but it was not chutney but just chopped green and red strawberries in the aroma of spruce and pine nuts. Here I have to complain a bit. We visited Atelier Amaro at the end of May, and therefore much before the strawberry season in Poland. Not surprisingly, why the strawberries served at Atelier, for sure imported, had nothing to do with the exquisite taste of great Polish strawberries picked up in the season  (will you believe that Poland is one of the largest producers and exporters in the world?). Strawberries picked out of the season are just not good and that’s it.

To sweeten the bitter taste of unripe strawberries, the waiter poured “golden rose” vodka in our glasses.

Sixth Moment
Sea bream / Morels / Scallion

The Sixth Moment started with the tasting of a single distilled wheat vodka with vanilla aroma produced by the Chopin Distillery.  While I was trying to hide my burping provoked by strong vanilla aroma, our waiter arrived with a plate with sea bream fillet, accompanied by an asparagus jelly and morel mushrooms in absolutely miniscule amount, a leaf of tilia (basswood, a typical Polish tree), olive oil “caviar”, fava beans, green baby peas and cherries (although it was not the season for that fruit)…..Attention! The list is not finished: well, accompanied also by green apple and green pea spuma, and a little fennel sauce, and pea sprouts. Every little bit tasted great, but it was a pity that I was the only one to be served the morels and the asparagus jelly. It appeared that my dad’s plate was missing those essential ingredients. Did the cooks make a mistake? Our waiter acknowledged the omission and politely apologized for it by admitting that this was bound to happen with such a complicated cooking…  However, he did not propose to send the plate back to the kitchen and have it replaced by a complete one. My father, a morel expert, remained unhappy. Fortunately, the fillets (despite the fact that they released a bit of juice) had a perfectly fried and crispy skin and it was all delicious.

Two types of potato vodkas were poured into our glasses while eating the fish: the first one – a single distilled vodka made from baby potatoes harvested in June 2010 (the producer: Polmos Siedlce) which taste was surprisingly sweetish, with a light litchi aftertaste and the second one, served right away so we could compare their flavors, was made from older, autumn potatoes (2010 harvest) which flavor reminded the smell of an old cellar. 

Seventh Moment
Venison / Blueberries / Larch

The last savory moment of the evening was roe deer meat prepared sous-vide (forgive me that I forgot to ask how much cooking time this method implied), served with hay corn “coffee”. Just in case, we ordered a glass of wine for each of us, so our stomachs could rest a bit from the hard liquor. The meat was accompanied by one potato chip, as thin as a parchment and of a strange, cellulose-like structure.  It was also served with typical Polish forest fruits such as lingonberries, wild strawberries, blackberries as well as shallots, all this aromatized by larch. The deer meat was soft and at the same time pink inside. However, I was told that the fruits used to prepare the dish were frozen ones, which was not surprising, because they were not in season at that time. The whole dish was served with ashes made of the aforementioned ecological hay and purple, wild carrot. My dish was served on a plate that was chipped. Albeit I did not pay so much attention to this kind of small details, I must say that a Michelin guide inspector would most likely notice it and point it out.

Right before dessert we could taste a great chocolate liquor, the Wedel, combination based on Chopin rye vodka.

Eighth Moment
Strawberry / bilberry / raspberry

The name of the eighth and last moment could suggest that strawberries, bilberries and raspberries were the leitmotivs of this dessert at Atelier Amaro. Here, the leitmotivs however were, in my opinion, three types of ice creams: pine, almond and juniper, all of them of a strong, savory flavor. The ice creams were accompanied by yogurt, strawberry confit, sponge cake with a mousse made of certain flowers (I do not remember which ones, because I did not have enough time to make notes). The raspberries were frozen in liquid nitrite and served with petals of edible flowers. It was quite a savory, not sweet, dessert. Amateurs of sweets made of butter, chocolate, eggs and cream will probably be disappointed. As to me, my family and friends know that my favorite dessert is pickled mushrooms. I therefore was quite happy to taste such savory ice creams.

What should be the conclusion of this experience? All dishes served to us were more or less perfectly prepared as regards their various culinary techniques. They were presented in the style which is typical for that type of cooking. In the culinary sense, a lot of them were somehow extraordinary and harmonious. However, all in all, I remain a bit disoriented after that dinner. I came to Warsaw and to Atelier Amaro convinced that this dinner would be a fun culinary experience. On the other hand, I was expecting to discover Amaro’s own view of our Polish culinary heritage. Actually, Amaro’s cooking is, as a matter of fact, a cosmopolitan one, just very barely linked to Polish traditions. Mr. Amaro uses from our heritage certain ingredients, aromas and flavors present two or even three hundred years ago, but, I am sorry to say that, omits the past seventy years of our history. So, we will taste there flavors which we can meet in Polish forests (pine, spruce, larch, juniper). We will taste topinambour, which was popular in old times. But, how we will explain foie gras, sea bream and St Jacques? These ingredients are not of Polish traditions. So, to summarize, for me, the link between the past and the present was lacking….however, I would love to go back there one day to taste ultramodern variations and combinations of classical and traditional Polish cuisine. I sense that this should be more difficult than to prepare horseradish spuma or chive ice cream. To make a long story short, the dinner was perfect and delicious, but the expected magic somehow disappeared. My dad’ impressions were analogous.  

The price for the dinner amounted to over PLN 1,200 zloties (approximately 400 Euros). The price for the 8 moment menu is PLN 280 per person; the rest was for the selection of nalewkas, wine, and mineral water. The bill included a 10 % additional charge for the service.

The quality of pictures presented in this post is worse than usual, but it is due to the “working conditions” (it was already late, and not wanting to disturb the other guests, I was not using the flash light).

Thursday, August 9, 2012

French – Thai Fusion Tart by Eric Kayser. Intellectual Masturbation.

I came to Paris for a couple of weeks, but not really on holiday. But still I have some time to visit my favorite places, bakery shops, book stores and neighborhoods. One of them is the Asian quarter in the 13th arrondissement - despite the fact that it is so little French. I call it the “guts” of Paris. For those who live in huge agglomerations like London or New York City maybe it will not be impressive. But for a girl from Kraków, where the access to fresh, authentic Asian ingredients is still difficult (in particular, fresh exotic vegetables, dried seafood and fresh exotic fruits) visiting Avenue d’Ivry and its surroundings is a must. 

This neighborhood seems far away from France elegance. Located in the south-east of the city, tall and slim buildings resemble rather Hong-Kong residential areas built in the 50s for immigrants than chic Parisian residential houses.

As I found out here “…the today’s Parisian Chinese – Vietnamese quarter is an urban development of high-rise housing from the end of the 1960s. Each tower is over 100 metres high with 36 floors. Built to bring young, dynamic businessmen to the area, it was not a success and most of the flats remained empty until around 1975 when Vietnamese immigrants started to rent them, usually sharing with many others to cover the high rent. And that’s how the Chinese quarter of Paris was born. The area with its crumbling concrete and grimy shopping centres (more on those later) can make it seem quite an austere place. Thank goodness that the Asian community moved in and turned this inhabitable wasteland into a thriving area…..Tang Brothers placed their huge supermarket here (avenue Ivry) and have gone on to become the largest importers of Asian food in Europe. Perhaps that’s why they were so snotty about letting me take photos in there?...”

In the neighborhood (most notably, Avenue d’Ivry) one will find more grocery stores and authentic Thai, Vietnamese, Laotian, Cambodian and Chinese restaurants, where both the owners and waiters barely speak French. The same concerns sales persons in the Tang Frères supermarket – where none of them hardly say anything more than bonjour. However, one will not find so many Japanese and Korean restaurants (and if yes, probably they will be conducted by Vietnamese / Chinese). As I mentioned HERE, the Japanese / South Korean Community resides close to Opéra quarter, in the 1st arrondissement. Anyway, for those who love Asian cooking, visiting the Tang Frères supermarket is a must. It is not a small grocery store, but quite a spacious supermarket where durian fruits emit a rather noticeable and persistent smell. You will find everything, or nearly everything that is necessary for authentic Far East cuisine - including dried fish and seafood as well as strange vegetables, greens, and leaves – imported straight from Asia and transported by huge jumbo jets every day. 

It is probable the only neighbourhood in Paris where it is possible to buy green papayas and green mangos for savory salads and at the same time the ripest sweet mangos. I am always surprised by the various types of those mangos ranging from 5 to 15 Euro per kilo, imported straight from Thailand, Pakistan, India or Morocco, and also by their taste – since then I do not buy mangos elsewhere (especially not in Poland). Despite the fact that their prices raised significantly over the last 5 years, Tang Frères is still reasonably priced.

My husband is an expert in French breads and he is of the opinion that the Polish do not know how to bake good ones. I am rather of the opinion that he is some kind of a nationalist attached to French breads and baguettes. Of course that baguettes taste the best in France like Polish sour rye bread tastes the best in Poland. It is like comparing Italian pizza dough and French pâte sablée or pâte brisée. Two different stories. Although, on the other hand, it is true that, in general, the quality of bread in Poland decreases. In Paris, one of our favorite bakeries, since a certain while, is Maison Eric Kayser. Eric Kayser has several locations in Paris (for example, rue du Bac in the 7th – very close to the Seine river) and abroad (but not in Poland yet). Within the next few days Eric Kayser has just opened his first shop in New York City. Eric Kayser is a baker and a French pastry chef specializing not only in breads (for example, I recommend his buckwheat bread and buckwheat baguettes). Among other Kayser’s specialties are sweet and savory tarts and quiches. One can try them in his bakery shops. In 2006 the Flammarion Edition house published Kayser’s cook book “Les Tartes d’EricKayser” which, as many other cookbooks, remained untouched for some time on my bookshelf. This time, I took it with me to Paris.

I love tarts and I am very picky about them. I have a hard time to swallow those with a hard dough, which bottom is not crispy but gluey because the “appareil” or juices soaked into it. This is exactly how usually they are made in Poland, even in restaurants. That is why I very rarely order tarts in Poland, and sorry to say that – usually I am disappointed. A good tart is not difficult to make but it requires time and patience. And as a good pizza, a good tart does not need many ingredients – usually the lesser the better. Two – three ingredients of good quality and that’s it! And most importantly the dough should be crispy. When I see so-called “French tarts” made with too many ingredients, with no common sense and no thinking – like, for example, a mixture of Italian Parmiggiano and sun dried tomatoes, French camembert, scallions, ham, carelessly chopped tomatoes and God knows what else – I am really tempted to write to the author to say: Please do not call this “tart” a French one!

So, we like breads from Eric Kayser's and we love Thai food. I am not a great fan of fusion cooking and I am skeptical about cook books written by famous chefs. I am always afraid that they did not write their recipes on their own or that they did not check them in person, because simply they are too busy to do so. But this time I decided to make a fusion French-Thai tart with eggplant, chicken and green curry paste. And I must tell you – if I was not a tart maniac and if I did not check it out sentence by sentence, Eric Kayser"s recipe does not work out! First of all, the book does not indicate how deep the tart mold should be. The recipe calls for one square tart mold of 24 cm or a round one of 26 cm in diameter and 400 g of pâte brisée. This, in my opinion was way too much – I used around 220 grams for my tart (the rest for a second, smaller tart). Moreover, I added cold butter and I chopped it into sand and not at room temperature, as indicated in the book. I wanted my dough to be really sablée. Moreover, Eric Kayser in his book indicates to use 500 g of sliced chicken breasts – in my opinion 250 g was already enough, and 500 g simply would not fit into the mold. The next thing was the amount of eggplants - Kayser advises to use 3 of them, but unfortunately he forgets to specify whether they should be big, small or medium…all in all I used 1 large eggplant of about 300 g, cut along into thin slices. I also used a lesser amount of the batter (coconut milk and cream). In place of marinating the chicken in coconut milk overnight, as indicated in the recipe, and then put it raw in the tart shell, I decided to marinate it in a bowl with 1 smashed lemongrass, a bit of fish sauce, ginger and sunflower oil. I then sauted the small pieces of meat for 2 minutes.

The result: a perfectly baked tart with a crispy and a bit spicy dough, all in all good, but my husband described the result as intellectual masturbation and I think he's got a point because tarts go best with European ingredients and green curry with Thai rice.

Thai – French Chicken, Green Curry and Eggplant Tart inspired by Eric Kayser

Makes approximately 1 round tart (26 cm diameter, 2 cm deep)


Pâte sablée:
210 g all purpose flour + some extra
5 g salt
100 g cold butter
5 g homemade green curry paste (great recipes from She Simmers) or good quality green curry paste
30-70 ml cold water (as much the dough will take)

Tart filling:
3 medium or 2 large eggs
150 ml crème fraîche épaisse
300 ml coconut milk
20 ml light soya sauce
1 lime (zest and juice)
250g to 300 g chicken breast
1 large eggplant (around 250 g – 300 g)
Vegetable oil
1 handful fresh coriander / scallion or Thai basil, washed, dried and roughly chopped
Salt, pepper
1 stick lemon grass, chopped and smashed
1 tablespoon fish sauce (can be replaced with some more soya sauce, if you do not like it)
1 cm chopped ginger

1. Prepare the pâte sablée incorporating green curry paste, following the directions here. The best is for the tart dough to rest in the fridge overnight. On the next day finish and prebake the tart shell as explained in the recipe for the tomato tart linked above. Before placing it in the oven, add a bit of egg white over the inside bottom of the tart shell to prevent the liquid filling from soaking it at a later stage.

2. Cut the chicken breast into small cubes (around 1 – 1,5 cm) and marinate it overnight (or for at least one hour) in a bowl with some vegetable oil, a bit of fish sauce, chopped ginger and chopped, smashed pieces of lemon grass.

3. In a bowl, mix crème fraîche with coconut milk, eggs, soya sauce, lime zest (very finely chopped) and eventually a bit of salt and pepper. Put aside into the fridge overnight or for at least one hour.

4. On the next day preheat the oven to 180-200 degrees. Slice along the eggplant into thin (around 0,5 cm) slices (if necessary, spread salt over it before and put aside for around 30 minutes; however since most of eggplants do not have any bitter aftertaste nowadays, it might not be necessary). Oil the slices evenly, place them on a baking sheet lined with aluminum foil and grill until slightly gold on both sides, but not burn. Put aside.

5. Prebake the tart dough as described in my recipe for the tomato tart. In the meantime, remove the chicken from the bowl and discard pieces of ginger and lemon grass. Heat well a wok or a frying pan and sauté the chicken for a maximum of 2 minutes. Put aside.

6. Place the chicken pieces at the bottom of the tart, pour the coconut batter into it (but not too high, because you still need to add the eggplants). At the end, place the eggplants. They should not soak completely into the coconut milk, so they can grill even more during baking.

7. Bake the tart at the temperature of 180 degrees Celsius for around 20-30 minutes. It really depends on the quality of your oven. The batter has to be set and golden and the dough must be gold. Serve sprinkled with some fresh herbs - Thai scallions, coriander or Thai basil.
Related Posts Plugin for WordPress, Blogger...